An ongoing study of grain, light, and motion. ASA 12500 explores the night at the threshold of the visible, embracing a "rough, blurry, and out-of-focus" aesthetic to capture the visceral energy of the dark. By pushing Delta 3200 film to its absolute mechanical limit, these images trade clarity for atmosphere, prioritizing the feeling of a moment over its detail. Utilizing extreme chemical pushing and the unpredictable nature of a vintage Fujica GER, the series transforms Florida nightlife into a sequence of frantic, high-contrast abstractions.